Kill Tony Brody Stevens, Stephen Kramer Glickman
Guests: Brody Stevens · Stephen Kramer Glickman
Lineup
Set: Arthur jokes about his name benefiting him on job applications by appearing white, discusses judging a girl for her damaged pinky toenail, and reflects on working at an RV dealership.
Interview: Tony and guests learn Arthur has worked at the RV place since November, joke about RV capacity and features, and Arthur shares he's single and hasn't taken girls into RVs due to the area's prostitution.
- Using 'white' on job applications made hiring easier and fraud explanations simpler.
- Girl's damaged pinky toenail made him question the relationship immediately.
- Doesn't go in the water at the beach because ash shows on black skin.
- Brody identifies Arthur as first-time bucket pull and validates his nervousness.
- Discussion of Arthur's audition for a film about a gang member, tying into his red shoes.
Set: Ian opens with a Nigerian stereotype joke about scam emails, then discusses fighting a white guy who called him a slur, learning UFC wasn't as he thought, and joking that his opponent died in an off-roading accident.
Interview: Tony learns Ian has done comedy 2 years, is 24, that the fight story was partially fabricated (friend died, not the fighter), and Ian works at the post office as a clerk.
- Apology for emails as opening—Nigerian stereotype about scams.
- Lost fistfight to racist white guy because he didn't know legs could be used in fighting.
- Guy who called him slur died in off-roading accident; Ian posted RIP with ironic tribute.
- Jeremiah Watkins calls in from Montreal unexpectedly during Ian's interview; full conversation with Tony and Glickman.
- Extended interview about Nigerian childhood, Bakersfield racism, dating, and explicit sexual encounter.
Set: Tierney discusses cutting her hair to look like her mom's, her father sexually harassing her by asking if she wanted to have sex with him, and how he kissed her on the lips at his wedding.
Interview: Tony and guests explore her traumatic childhood, her father 'Tom the Wizard,' sexual assault at Golden Road Brewery, drug use (acid), and her approach to relationships and vulnerability on stage.
- Cut hair to look like mom; dad then sexually harassed her by asking inappropriate questions.
- Father kissed her on lips at his wedding because he's the groom and could do whatever.
- During sex with overweight partners, thinks about her dad right before orgasm.
- Tierney discloses workplace sexual assault at Golden Road Brewery during interview; becomes serious moment.
- Admits to doing acid five times that day, meeting dealer with ponytail at his house.
- Describes pooping her pants at top of Montana mountain and in car during traffic closure.
Set: Riana discusses an app revealing her ex-boyfriend unfollowed and blocked her, jokes about how women trick men into relationships, and how her personality pushes men away despite her appearance.
Interview: Riana shares she's new to comedy (started June), is 23, from North Carolina, attends Long Beach State, works at The Improv Irvine after quitting movie theater job, and had sex in a pickup truck camper shell.
- App shows ex-boyfriend unfollowed and blocked her; she interprets as ultimate rejection.
- Women trick men into relationships; she uses time and personality manipulation tactics.
- Admits to foot fetish, prefers guys without socks, messed up toenails.
- Riana discusses sex in pickup truck camper shell at motel on PCH; Brody references Lethal Weapon.
- First-time performer visibly nervous but praised for confidence and material quality.
Set: Ali jokes about receiving unsolicited dick pics after discussing them on stage, mimics older Black women singing like Aretha Franklin, and wishes they'd use that vocal talent outside church.
Interview: Tony questions Ali's colorful outfit, learns she quit her restaurant job and was hired at The Improv Irvine, is studying creative writing, and wants to write for comedy television.
- Dick pics came true after discussing them on stage; Instagram DM immediately delivered one.
- Older Black women can hit Aretha Franklin notes; wishes they'd use it outside church.
- Black women at Chipotle and Comcast could use their vocal powers in everyday settings.
- Aphrodite in pink glittery shirt reacts to Ali's Aretha Franklin impression by mimicking it.
- Tony praises Ali's confidence despite nervousness and material quality.
Set: Serafina jokes about breaking up with a 'face fucker,' defines the term, discusses being half-gay and half-Mexican, describes coming out to her family with varied reactions.
Interview: Serafina from Boise Idaho, worked at Cafe Demitos in West Hollywood, came out as bisexual to mixed family reactions, discusses her 50/50 attraction split, and gets coaching on material.
- Boyfriend was a 'face fucker'—defines aggressive oral sex technique as undesirable.
- Came out as half-gay half-Mexican; each family member had different reaction.
- Calculates bisexuality as 26 and 26; favorite number is 27.
- Serafina reveals dog licks her nostrils when she comes home; admits enjoying it.
- Admits to letting dog perform oral-adjacent acts; panel explores in comedic depth.
- Brody immediately recognizes she's from the Valley and names her high school mascot.
Set: Afrodyete performs a raunchy set about church guys being exceptional lovers, explicit sexual descriptions, and her attraction to well-endowed Black men with religious devotion.
Interview: Afrodyete discusses her outfit, reveals a church organ player as past lover, current 'church man' boyfriend, Heaven involving sex and weed, singing experience with The Agro-Lights, and explicit sexual preferences.
- Church guys are exceptional lovers due to sexual repression requiring six-month breaks.
- Will join church/Jesus just to keep getting oral sex from well-endowed church man.
- Heaven should involve fucking and smoking weed; Earth heaven is better alternative.
- Afrodyete performs live singing of original song mid-interview; audience reacts strongly to vocal power.
- Neon signs in Comedy Store main room explode during her high note; visual spectacle moment.
- Skirt transparency fully revealed during singing; audience and Tony react to visibility of anatomy.